Articles and Reviews
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2023 "Let There Be War" essay by Karen Jelenfy

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2022 "Kenny Cole’s Savage Menagerie" The Free Press (Vol. 38 No. 41 P. 12) HiLo Art review by Alan Crichton

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2021 "Santa's Hands and Uncle Sams" The Free Press (Vol. 37 No. 47 P.1 & 6) review by Ethan Andrews

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2018 "Indigestion" Portland Press Herald review by Dan Kany

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2017 "Lines of Thought" Portland Press Herald review by Dan Kany

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2016 "The Promise of Tomorrow" Republican Journal review by Ethan Andrews

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2016 "Like There's No Tomorrow" and "The Promise of Tomorrow" Pen Bay Pilot review by Kay Stephens

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2015 "Flood" Seasick Magazine / Hurricane season issue review by Narciso Philistratus

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2014 Artvoices Magazine 7th Annual Winter Basel Issue interview by Ellen Caldwelll

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2014 "Parabellum" Portland Press Herald review by Dan Kany

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2014 "Parabellum" Art New England review by Carl Little

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2014 "Parabellum" Portland Press Herald review by Bob Keyes

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2014 "Parabellum" Artscope review by Suzanne Volmer

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2013 "Distress" interview by Lisa Agostini

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2012 "CMCA Biennial Exhibition" Artscope review by Suzanne Volmer

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2012 "As High As Heaven" catalogue essay by Freddy LaFage and Karen McDonald

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2011 "Gold, God, Guns and Girls" catalogue essay by Nicholas Schroeder

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2010 "The Hellfire Story" Portland Phoenix review by Nicholas Schroeder

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2010 "The Hellfire Story" catalog essay by Al Crichton

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1997 "Cole’s work is neither carefree nor innocent" The Waldo Independent hi-lo review by Alan Crichton

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1995 “The Road to Hell is Paved with Good Intentions” The Waldo Independent hi-lo art review by Alan Crichton

Books and Catalogues
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2022 "Low Energy: Strata Works 1992-2022"

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2021 "Jacked" supplemental image catalog to exhibition

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2021 "Tumult" Image catalog of new work on Xuan paper

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2021 "The 5 Stages of Grief" Handmade chapbook from Staring Problem Press (Out of Print...but contact me if you would like a copy!)

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2020 "W.T.H.J.H.?" image catalogue with essay

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2013 "Distress" image catalog with interview

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2012 "As High As Heaven" image catalogue with essay

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2011 "Darfur at Our Doorstep" image catalog

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2011 "Gold, God, Guns and Girls" image catalogue with essay

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2010 "The Hellfire Story" image catalogue with essay

Selected Website Listings
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Fall 2021 Maine Arts Journal: UMVA Quarterly partnering with the statewide initiative Freedom & Captivity. I contributed an essay and images

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2019 Interview/blog post with "Gallery Closed" artists, Kenny Cole, Geoff Hargadon, Paula Lalala and Brian Reeves

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2016 "The Promise of Tomorrow" Republican Journal review by Ethan Andrews

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2015 "Flood" The Chart review by Jeffrey Ackerman

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2014 "Monhegan: The Unfailing Muse" review by Britta Konau

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2014 "Parabellum" Portland Press Herald review by Dan Kany

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2014 "Parabellum" Portland Press Herald review by Bob Keyes with video

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2009 Thoughts by "The Owl Who Laughs" Poet Chris Crittenden's blog

The Free Press

Tuesday, October 11, 2022

Page 12

 

HiLo Art

Kenny Cole’s Savage Menagerie

By Alan Crichton

 

Kenny Cole’s latest exhibit, “Jesus Christ! Visioning the New Normal,” at Camden’s Zoot Coffee will be on the walls until October 31, and it’s worth a good look.

The artwork mashes together the big themes of our times: world domination, gold fever, war, politics, religion, race, climate change, hypocri- sy, anger, savagery, truth, lies, alternative realities, and the labyrinth of digital technology that pushes our faces into everything all the time.

In another time, this might have been a wildly controversial exhibit. But zoned out on caffeine, oatcakes, the endlessly fascinating World Wide Web, and the warm hubbub of Zoot, we are too busy being part of the exhibition. All around our heads float 16 images that gnash and bite, chop up the world, harangue, win, lose, burst the seams, and part the oceans, and we are smack in the middle of it all, virtually and literally. The art in these paintings makes them seem cool. Cole’s hand and brush are quick and committed, always in service of communicating the conflicting ideas that swarm everywhere. The jagged brushwork, the wild, bright colors and the underlying cartoonery of every character suggest humor. But looking longer, there is the burn of unease. Why is that penguin in a top hat sneaking away? What are those nine ferocious polar bears about to do? Did Santa Claus start that blaze he’s running away from? Hey, Jesus is built like a Schwarzenegger superhero! Do those dolphins bite to kill? Who are all those fren- zied, screaming, gun-toting guys with the books? Look at these paintings for just a little while ... Wow, they are hot! This is satire in the irreverent George Grosz, Max Beckmann mode of a hundred years ago, pricking the conscience of a world falling ever faster into fascism and saying it right out loud. In a conversation, Cole pointed out that there are currently over 200 U.S. Christian denominations, and a staggering 45,000 globally ... so many claims on Jesus’s truths: humility, love, patience, courage, compassion, honesty. Think how many have been enforced with hypocrisy and bru- tality over 20 centuries. Our USA underpinnings are based in the purity of those values, yet we, too, have used the powers of heaven and hell to grasp and hold political dominion. Visioning the New Normal? ... Jesus Christ! indeed! Cole is as tangled in our many webs as the rest of us. But he consistently asks us to emerge from the instant answers and distractions and all the rabbit holes that have become our “virtual homes” and re-enter the world of real time, real problems, real confusions and seek real answers that can possibly carry us through the next few centuries. Could a set of paintings somehow help us do that?

 

2022 "Kenny Cole’s Savage Menagerie" The Free Press (Vol. 38 No. 41 P. 12) HiLo Art review by Alan Crichton