Kenny Cole

Kenny Cole

  • Art
    • Archive
      • Archive 2019 - 2025
        • "Lament"
        • "G.A.G. & M.A.G.A.A.A.A.A.A.A.G.A."
        • "The Shroud Cycle"
        • "JESUS CHRIST!"
        • "Low Energy"
        • "JACKED"
        • "Guardians"
        • Pandemic Sketchbook
        • "The Khashoggi Story"
      • Archive 2016 - 2018
        • Indigestion
        • The World on Steroids
        • Men in Suits, Men in Trouble
        • Mr T
        • Now & Then: PPL Reconfigured
        • Smart Phone Collages
        • The Promise of Tomorrow
        • Governor's Island Art Fair
      • Archive 2014 - 2015
        • “Homes in Maine: Signature Collection”
        • Call Me
        • Polar Vortex
        • Flood
          • Statement
          • "Titles" screen prints
          • Drawings 1 - 99
          • Drawings 100 - 199
          • Drawings 200 - 299
          • Drawings 300 - 320
          • Installation Views
          • "Flood" interview by Ellen Caldwell
        • Daily Drawing 2015
        • Parabellum
          • Museum Handout
          • Statement
          • Installation Views
          • Section #1
          • Section #2
          • Section #3
          • Section #4
          • The Poetry of Parabellum
          • Governor's Island Art Fair
        • Looking Back Six Years
        • Drone Legislation
      • Archive 2010 - 2013
        • Distress
        • As High As Heaven
        • Deja Vu
        • Even Now...
        • Gold, God, Guns & Girls
        • Darfur at Our Doorstep
        • The Hellfire Story
        • Awash in Gouache
        • I-95
      • Archive 2003 - 2009
        • Improbabilities
        • Letter From the Grave
        • Food For Thought
        • Prison Papers
        • Black and Blue
        • Operation 21 Prayer Salute
        • Staying the Course
        • Crying Uncle
        • Composition 101
      • Archive 1983 - 2002
        • 2000s
        • 1990s
        • 1980s
    • Interactive Art
      • "The Khashoggi Story"
      • "The World on Steroids"
      • "The Promise of Tomorrow"
      • "Parabellum"
      • "Distress"
      • "As High As Heaven"
    • Screen Prints
      • Gasoline Prices
      • The 1911 Abides
      • Validation Certificates
      • Monhegan Prints
      • Kris Kross
    • Painting
    • Exhibition Videos
    • Curatorial Projects
      • Gallery Closed
      • Narratives
        • Overlord
        • Narratives #9
        • Narratives #8
        • Narratives #7
        • Narratives #6
        • Narratives #5
        • Narratives #4
        • Narratives #3
        • Narratives #2
        • Narratives #1
  • Statement
  • Bio | Resume | Press
    • Biography
    • Resume
    • Press
  • Links
  • Contact
  • News
Statement
Breach (magenta)
2012
screen print | edition of 25 prints
BUY
$250.00
24" x 18"
I drank tap water for the most part while on my 5 week artist's residency on Monhegan Island, Maine. I think that I might have been the only person there who did this! I was never warned against drinking the tap water, but it certainly was not crystal clear...and I think I survived. Meanwhile crates and crates of bottled water could be seen stacked in various places, often too voluminous to make it inside the store or residence where it would be sold or consumed. Something seems wrong about this. Why have we allowed ourselves to get to the point where we no longer trust the water that comes out of the tap? Instead of addressing the problem of groundwater contamination, it seems as though we just buy water and move on. This print began as a sketch of an ocean solid with gallon jugs of water, with a hiking shoe prancing along the surface. I then thought of expanding it into a large print of two figures, depicted as empty outdoor gear of course, and then had the brilliant idea to depict a tuna breaching in the distance. That motif was a newly minted idea that I had gotten after talking with a guy down at Fish Beach who worked for a shipping company that transports large trucks around the Maine islands, usually for construction jobs. He had just seen a tuna breach earlier that day! But it wasn't until I had printed the first screen with the jugs and empty clothing and was preparing to cut out the stencil for the blue water around the jugs that I suddenly realized and saw that I needed also to cut two stencils for the transparent liquid figures, who would then marvel at the sight of the tuna.
Inquire About


"Kenny Cole's work is completely current and fresh, and has the smoking gun of sophisticated, 'make you think', power that comes with experience--- the ultimate cocktail!" - Carly Glovinski

”Bleak. With color.” - Karen Jelenfy

An Icompendium Site