Kenny Cole

Kenny Cole

  • Art
    • Archive
      • Archive 2019 - 2025
        • "Lament"
        • "G.A.G. & M.A.G.A.A.A.A.A.A.A.G.A."
        • "The Shroud Cycle"
        • "JESUS CHRIST!"
        • "Low Energy"
        • "JACKED"
        • "Guardians"
        • Pandemic Sketchbook
        • "The Khashoggi Story"
      • Archive 2016 - 2018
        • Indigestion
        • The World on Steroids
        • Men in Suits, Men in Trouble
        • Mr T
        • Now & Then: PPL Reconfigured
        • Smart Phone Collages
        • The Promise of Tomorrow
        • Governor's Island Art Fair
      • Archive 2014 - 2015
        • “Homes in Maine: Signature Collection”
        • Call Me
        • Polar Vortex
        • Flood
          • Statement
          • "Titles" screen prints
          • Drawings 1 - 99
          • Drawings 100 - 199
          • Drawings 200 - 299
          • Drawings 300 - 320
          • Installation Views
          • "Flood" interview by Ellen Caldwell
        • Daily Drawing 2015
        • Parabellum
          • Museum Handout
          • Statement
          • Installation Views
          • Section #1
          • Section #2
          • Section #3
          • Section #4
          • The Poetry of Parabellum
          • Governor's Island Art Fair
        • Looking Back Six Years
        • Drone Legislation
      • Archive 2010 - 2013
        • Distress
        • As High As Heaven
        • Deja Vu
        • Even Now...
        • Gold, God, Guns & Girls
        • Darfur at Our Doorstep
        • The Hellfire Story
        • Awash in Gouache
        • I-95
      • Archive 2003 - 2009
        • Improbabilities
        • Letter From the Grave
        • Food For Thought
        • Prison Papers
        • Black and Blue
        • Operation 21 Prayer Salute
        • Staying the Course
        • Crying Uncle
        • Composition 101
      • Archive 1983 - 2002
        • 2000s
        • 1990s
        • 1980s
    • Interactive Art
      • "The Khashoggi Story"
      • "The World on Steroids"
      • "The Promise of Tomorrow"
      • "Parabellum"
      • "Distress"
      • "As High As Heaven"
    • Screen Prints
      • Gasoline Prices
      • The 1911 Abides
      • Validation Certificates
      • Monhegan Prints
      • Kris Kross
    • Painting
    • Exhibition Videos
    • Curatorial Projects
      • Gallery Closed
      • Narratives
        • Overlord
        • Narratives #9
        • Narratives #8
        • Narratives #7
        • Narratives #6
        • Narratives #5
        • Narratives #4
        • Narratives #3
        • Narratives #2
        • Narratives #1
  • Statement
  • Bio | Resume | Press
    • Biography
    • Resume
    • Press
  • Links
  • Contact
  • News
Statement
"Rarefied Air" NYC Collection, Brooklyn Museum,
2014 - 2016
Glass jar, museum air | edition of 9
BUY
$1400.00
2.75" x 2.5 "
Paula Lalala makes art that involves her own personal struggles to be human and an artist. Often it is a biographical exploration of her life experiences, which she then forms into interactive experiences for the viewer, whether that is a game, sensory environment or one on one interaction with her, the artist. The dynamic between artist, viewer and institutions designed to enable this dynamic are engaged here with her piece "Rarefied Air". Paula institutionalizes the Art Museum institution, the ultimate art world Overlord, by creating E.A.R., Enhanced Art Resources, A contemporary fine art manufacturing, research, and consulting firm. Paula simply walks into an art museum with a jar and captures its air, a entrepreneurial gesture that becomes the basis for her independent parallel institution. We are now brought into Paula's world, a place of engagement and self-made opportunity, where we as participants can learn to generate our own art experiences and challenge the Overlordian grip institutions impose on culture.
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"Kenny Cole's work is completely current and fresh, and has the smoking gun of sophisticated, 'make you think', power that comes with experience--- the ultimate cocktail!" - Carly Glovinski

”Bleak. With color.” - Karen Jelenfy

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