Kenny Cole

Kenny Cole

  • Art
    • Archive
      • Archive 2019 - 2025
        • "Lament"
        • "G.A.G. & M.A.G.A.A.A.A.A.A.A.G.A."
        • "The Shroud Cycle"
        • "JESUS CHRIST!"
        • "Low Energy"
        • "JACKED"
        • "Guardians"
        • Pandemic Sketchbook
        • "The Khashoggi Story"
      • Archive 2016 - 2018
        • Indigestion
        • The World on Steroids
        • Men in Suits, Men in Trouble
        • Mr T
        • Now & Then: PPL Reconfigured
        • Smart Phone Collages
        • The Promise of Tomorrow
        • Governor's Island Art Fair
      • Archive 2014 - 2015
        • “Homes in Maine: Signature Collection”
        • Call Me
        • Polar Vortex
        • Flood
          • Statement
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          • Drawings 100 - 199
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          • Drawings 300 - 320
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        • Daily Drawing 2015
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          • Museum Handout
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          • Section #1
          • Section #2
          • Section #3
          • Section #4
          • The Poetry of Parabellum
          • Governor's Island Art Fair
        • Looking Back Six Years
        • Drone Legislation
      • Archive 2010 - 2013
        • Distress
        • As High As Heaven
        • Deja Vu
        • Even Now...
        • Gold, God, Guns & Girls
        • Darfur at Our Doorstep
        • The Hellfire Story
        • Awash in Gouache
        • I-95
      • Archive 2003 - 2009
        • Improbabilities
        • Letter From the Grave
        • Food For Thought
        • Prison Papers
        • Black and Blue
        • Operation 21 Prayer Salute
        • Staying the Course
        • Crying Uncle
        • Composition 101
      • Archive 1983 - 2002
        • 2000s
        • 1990s
        • 1980s
    • Interactive Art
      • "The Khashoggi Story"
      • "The World on Steroids"
      • "The Promise of Tomorrow"
      • "Parabellum"
      • "Distress"
      • "As High As Heaven"
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        • Overlord
        • Narratives #9
        • Narratives #8
        • Narratives #7
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        • Narratives #5
        • Narratives #4
        • Narratives #3
        • Narratives #2
        • Narratives #1
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Statement
“Abandoned to a Cemetery Vision”
2015
Gouache and ink on prepared paper
BUY
$500.00
15" x 13"
Don Doe

Don Doe’s “Abandoned to a Cemetery Vision” is a luminous scene of ghosts and figures that spell out some strange event or drama that is unfolding before our eyes. A crouching, slouching figure has opened some can of Pandora that sits on a stump-like support releasing a fluorescent ether swirl populated by an uneasy cast of demons. The main figure is dressed in leather boots and ascot. He seems to represent an historical character and is acting unsure and possibly regretful. We assume he has been tempted in some way and is now experiencing the repercussions that bear down on him in a menacing and lively cacophony.
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"Kenny Cole's work is completely current and fresh, and has the smoking gun of sophisticated, 'make you think', power that comes with experience--- the ultimate cocktail!" - Carly Glovinski

”Bleak. With color.” - Karen Jelenfy

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